The new movie called “Inception” starring Leonardo diCaprio which tells the story of how to step into the dreams of others and is quite a journey if you haven’t already seen it yet!
Director Christopher Nolan must have had some interesting people doing research for the movie as the script has included some rather interesting additions!
Did you notice what the first part of the code to the safe was?
and what about the hotel room prominently featured in the movie?
Well amazingly they’ve used 528 (the rest of the code was 491 which relates to another aspect of sacred maths)!!
Could it be that Hollywood are finally catching on to the power of the ancient healing codes of the solfeggio?
I leave that to you to decide!
Wake up or die in the nightmares of corporate espionage, greed, corruption, anger and guns (again!). INCEPTION writer and director, Christopher Nolan, heralds “528” as part of the “code” through which social transformation, involving music, is achieved.
The new Hollywood blockbuster has moviegoers curious about the source of a mysterious code used in the plot involving music played in “Room 528,” and linked to a forgotten “528” memory.
INCEPTION, another word for creation, stars Leonardo DiCaprio, shown entering Room 528 to defend against corporate thugs.
Recalling the “key” to Room 528 is crucial to the movie’s plot, wherein Cobb (DiCaprio), an expert in the art of mind manipulation, extracts secrets from people’s subconscious to serve the “treacherous new world of corporate espionage.”
The movie repeats the number “528,” a mathematical frequency, in a key phone number, on a napkin, two vault combinations, and the room wherein much of the action occurs during the film’s climax. Here, special music must be played at a precise time to “extract” the operatives from their anguish and nightmarish pseudo-realities.
Cobb’s psychological operation in Room 528 reconnects the heir to the world’s most powerful energy cartel, Robert Fisher (played by Cillian Murphy), to his father’s memory. Fisher senior, atheistically representing the corporate alternative to God, is locked in a vault requiring the 528 code to open. Another “528-491” combination unlocks the final safe containing the greatest secret, treasure, motivation, and catharsis for the main characters that have all been struggling with the loss of LOVE.
The idea of linking music for social transcendence with “528” and LOVE in INCEPTION appears to have come from Dr. Leonard G. Horowitz co-autor of “Healing Codes for the biological apocalypse” (with Dr Joseph Puleo, a Bible code scholar and naturopathic doctor), who apparently is a frequent contributor to Hollywood’s screenwriters. He has written extensively on this subject of 528 and how it relates to universal construction, healing, Spiritual Renaissance, the languge of creation, and what Nolan terms “inception.”
It is wonderful that Christopher Nolan, reputed to be a ‘dark filmmaker,’ thinks so highly of 528Hz that he chose to promote the frequency in, around, and through “Room 528” at the height of the drama.
Horowitz said “528 engages the “music of the light,” versus the “music of the night.” The musical mathematical knowledge about 528, and its spiritual implications, is urgently needed to deal with the planet’s corporate criminals”.
Nolan wrote, “An idea can transform the world and rewrite all the rules.” Horowitz’s idea that 528 plays the sound of LOVE, has been bringing this ancient wisdom back to us all and 528Hz is also known as the “Miracle” frequency and is known to repair DNA in the laboratory. Leading physicists and mathematicians such as Marko Rodin and Vic Showell’s have published proof that reveals that 528 is fundamental to all natural structuring in the Universe (eg. Fibonacci sequence, Phi, sacred geometry, the circle, square, the hexagonal ring of organic chemistry, and the world of biology).
Horowitz says “LOVE is what drives Nolan’s leading character Cobb, leading lady Mol (Marion Cotillard), and leading victim Fisher, to access their memories in order to reconcile their relationships to reconstruct their lives. Many people do not understand Nolan’s film for its deeper social and metaphysical meanings”.
Dr. Horowitz attributes a lot of this confusion to the lost memory of 528Hz frequency, believed to be central to spiritual identity and human creativity.
Nolan’s film plays on these themes, juxtaposing violence and cataclysm with the dream of “extracting” ourselves from the corporate controlled world of mind control and general madness. The objective is to “get back home.”
For more information you can check out the following video by Len Horowitz on YouTube and also his page about it too.